Performance tests are conducted using specific computer systems and reflect the approximate performance of MacBook Pro. Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 8K Apple ProRes 422 media, at 8192x4320 resolution and 29.97 frames per second.
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Prerelease Final Cut Pro 10.6 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Prerelease Final Cut Pro 10.6 tested using a 1-minute picture-in-picture project with 7 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 30 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. The interface is very user-friendly, much like all Apple-made user.
FINAL CUT PRO SOFTWARE
Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU, and 32-core GPU, 64GB of RAM, and 8TB SSD. Final cut pro is a significant step up from using default video editing software like iMovie.Command+Shift+5 will bring up the transitions panel directly next to it, which you can place in between clips.Ĭommand+6 and Command+7 bring up the waveform and color correction tools, which you can use to properly color correct your videos. You can use them by dragging them out of the effects panel onto the clip you want to set the effect on, or by double-clicking the effect while the clip is selected. The audio effects are in this tab as well. Here you will find Dedicated News, Tutorials, Reviews & Forums to help you with information help. Command+5 brings up the effects pane.įrom here you can choose from all of Final Cut’s supported effects, as well as third-party ones you’ve installed with plugins. FCP.CO is your home for all things FCPX & Final Cut Pro. Navigating the UIĬommand and the number keys 1-8 will show different parts of the editor. It doesn’t work so well on fast moving footage though and can create some weird artifacts.īoth of these commands run in the background and take a bit of processing, so you may want to hold off on using them while editing unless you have a fairly powerful computer. When you reach the limit of Final Cut Pro's ability to assemble your edited sequence on the fly, it's time to render. Optical Flow is a really powerful tool that can predict what was there between frames. Frame blending creates transitions between frames (so it doesn’t cut so abruptly) but doesn’t add any detail to the footage. This command runs some analysis on the video to try to improve the smoothness of slowed-down footage. Final Cut has a solution to this: Under the retiming menu, select Video Quality > Frame Blending / Optical Flow. You may notice that if you slow the video down, it becomes choppy.
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This will “blade speed” and allow you to drag that part of the clip closer together to shrink it down to a smaller space (or drag it apart for slow-mo). If you want to change the speed of the clips, Final Cut has an intuitive way to do it, press Shift+B where you want the speed change to start and stop. You can see here the different actions Final Cut supports, which you can select by pressing the corresponding key.įor trimming, it’s easy to drag one end of the clip towards the other or cut out parts of the clip with Command+B (which automatically blades the video at the playhead position). Manipulating clips in the timeline is pretty simple.
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Once you’ve imported your clips, you can drag them onto the timeline. Select a video, hit the “Import” button, and the video will appear in the Library sidebar.
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If you have large files and a small hard drive, it’s best to keep them in place. An important option to consider is whether or not to copy files over or leave them in place.